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CHAPTER XVII. THE STORY OF THE NIGHT. "I don't believe Fra—David would be very critical; he's so good natured," said Elinor. "Isn't it hard to get used to him as our brother, after knowing him as David Carson for a whole summer? I can't ever feel sure of what is his right name now. We knew him as David Carson for so long, and now that he wants to be called by his real name, I simply get more twisted all the time." "I'll be about in the corridor when you come up," she promised. "You don't need to feel that way about it. It's the simplest thing in the world—after you once get settled. You're in great luck to get into life and head classes without ever having gone to school before. I fancy you are a very special brand of genius to have such privileges.".
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It was not until all the guests had gone, and David and his friends had taken their reluctant leave with fervid promises of speedy reunion at Greycroft, and the packers had disappeared with the big canvas and the cartoons [Transcriber's note: cartons?], and Hannah Ann and Henry had reduced everything to a state of perfection that even the most critical Symons in the world could not cavil at, and Bruce had said his last farewells and was on the blue rug at the studio door with his hand on the knob to usher them out, that Patricia found utterance for her seething thoughts. David, who was watching him, felt an instinctive feeling that Etwald was telling a lie. He saw that the man could hardly keep his seat for his eagerness to examine and handle the strange weapon. However, he said nothing, but watched and watched, when Maurice made a remark about the stick. "No," said Jen, in an inflexible voice. "I go to punish the man who killed my boy." "Now, Mrs. Molly, truly did you ever see such a flower as she is?" he demanded after I had expressed more than a dozen delighted opinions of Miss Clinton. His use of the word "flower" riled me, and before I stopped to think, I said, "She reminds me more of a scarlet runner.".
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